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Theory

 

 

 

"The highest form of warfare is the battle of strategies. The next highest is the engaging of allegiances. The lowest form is the employment of armies. While the basest of all is the beseiging of cities."

- Sunzi's Art of War

 

"Use mind, not force."

- Master Yang Chengfu

 

 

 

theoria (θεωρία): the act of prolonged seeing and the imprinted shape of what is thereby seen

theory: a systematically organized body of knowledge or composite of accepted principles designed to analyze, predict or explain the nature and behavior of a specified set of phenomena

ti: the underlying substance, content or essential being of a thing, as in its body, form, organizational structure and constitution; or its theory, as opposed to its practice (character has the "bone/skeleton" radical on the left with an image of a "ritual vessel" on the right)

 

 

Taichi theory is a curious thing. Despite its ancient relevance, universal significance and widespread popularity it continues to remain a vague notion in the mindset of the West. Deeply embedded in a contextual hinterland of crosscultural supposition and historic misunderstanding, it does not readily reveal itself to the casual glance. First of all, there is no correlate concept in the Western paradigm with which to identify it. Secondly, the literal translations of "supreme ultimate," "absolute polarity" and "great pivot" do very little to clear up any confusion and more often than not just end up further obscuring the issue. So nobody really uses them besides the occasional sinologist and overzealous young translator. This is the first lesson in trying to understand taichi theory:

mystery is fundamental.

While thirdly, as if these murky semantics weren't already disorienting enough, the linguistic gap between Chinese and English has resulted in at least three different spellings of the Chinese word "太極" currently in use across the romanized multiverse. According to an ever growing international majority, the official spelling more in tune with the proper pronunciation should actually be "taiji." The "taichi" spelling we are using here is really more a cultural link to the martial art lineages that came to America in the mid-1900s and set the colloquial precedent before the much more phonetically accurate Chinese transliteration system of pinyin had a chance to fully develop and be disseminated. So pretty much everywhere there are scholars of Chinese culture, Neoconfucian philosophy, Daoist spirituality and East Asian medicine who are writing in romanized languages, the standard spelling being used more and more is "taiji." But here in the commons, in honor of the older martial art lineages that first introduced the concept to the marketplace, we still use the original spelling of "taichi," and sometimes even "t'ai chi." Though in all cases the correct pronunciation is of course still "ty-jee." This is the second lesson in trying to understand taichi/taiji theory:

context is everything.

So now that we know we are on a slippery slope and looks are indeed deceiving, we are ready to start responsibly defining. On one hand, taichi theory is simply the guiding principles and organizational framework of taichi practice. Thus if you understand what taichi practice is, then you would also necessarily understand what taichi theory is. In a yinyang reality where every single thing has an equal and opposite, taichi theory is simply the yin to the yang of taichi practice. And like all things yin and yang, theory and practice are two integral halves of the same organic whole that can never truly be separated. Physical experience is guided by mental process just as much as mental process is guided by physical experience. However unlike other theories that also have practical applications, it is specifically and strictly a mutually reciprocal relationship between these two halves that distinguishes "taichi theory." Thus the third lesson:

mutual reciprocity is essential.

Which brings us to our fourth lesson and the illustrious other hand, where taichi theory is actually the sacred inner chamber of the ten-thousand things and the beating heart of the ancient Chinese worldview that sees all reality as yinyang reality and all relations as mutually reciprocal to all other relations. Though there are countless applications and just as many forms of taichi practice as there are clouds in the sky or opinions on the internet, taichi theory will always and ever be a singular thing. Whether we are talking about the various styles and lineage branches of Taichi Chuan itself, the utilization of taichi theory in other martial arts, or its application in other disciplines altogether such as medicine, spirituality, music, painting, design, strategy or simply the deliberate living of a well-balanced life, if one is tapping into the old-growth principles of balance, flow and natural harmony in holistic relations, then one is tapping into taichi theory. As Confucius once put it:

all people are united by theory
and differ only according to practice.

No surprise then that it was Confucius himself, perhaps the most beloved and respected sage in all of Chinese history, who first coined the term "taichi (太極)." According to the old story, it was towards the end of his life, after his exhasutive study of traditional culture and many hard decades spent traveling across a war-torn China advocating for greater social harmony, that he finally honed in on the concept. At one point in his travels through the nation's capital in Luoyang he had supposedly been handed an ancient book of cryptic symbols and divination codes called the Zhou Yi (Changes of Zhou) by the old archivist there, who just happened to be the other most revered sage of China known as Laozi (Old Master). But Confucius was a busy man and wasn't able to give it the mind it required at the time. It wasn't until the retirement phase of his life that he finally found himself out of the fray of politics and family tragedy enough to sink his proverbial teeth into that old text that Master Lao had given him long before. At which point he was famously quoted as saying: "Ah if only I had another 50 years to live, I would devote it entirely to the study of the Yi!" This reveals another very important characteristic of taichi theory:

knowledge depends upon experience
more than information.

To understand how Confucius came to consider this mysterious old text to be such a vital and important part of traditional culture and worth the extra effort it took to make sense of, might require a bit more context. You see, the Zhou Yi was merely the most recent Zhou Dynasty version of this ancient divination manual that had been used and refined by the sages and rulers of old China for guidance and direction ever since the very beginning of its civilization. It was essentially a tool for communicating with Heaven and thus ensuring alignment with the "heavenly mandate (tianming)," which was something that no ruler of China would ever possibly think of trying to rule without. Before the Zhou Yi there was a Shang Yi from the Shang Dynasty, and a Xia Yi from the Xia Dynasty preceding that. Even before this there were the core symbols, known as the Bagua, which is traditionally sourced all the way back to the very first mythic chieftain who united the tribes of the Yellow River Valley named Fuxi, who supposedly "discovered" the curious pattern on the back of a giant tortoise that he encountered coming out of the river one fateful day, revealing yet another key component of taichi theory:

nature is the original source.

So by the time Confucius got a hold of these "Changes" around 500 BCE they were already around 2500 years old. Of course these earlier versions of the Yi have mostly been lost to time and only fragments of references remain. But thanks primarily to Confucius and his progeny, the Zhou Yi and the ancient tradition of divination that it so beautifully preserves is still fully intact. With the addition of some fairly extensive Confucian commentaries it took the new name of "Yi Jing (Classic of Changes)" and became the centerpiece of the Five Classics of the Confucian educational system. Over the many centuries that have passed since then, the other four classics have somewhat faded into the background of history, but amazingly the Yi Jing is still commonly found and used around the world today as an indispensable dispensary of wisdom and counsel, proving still another of the basic tenets of taichi theory:

the only thing that does not change is change itself.

This brings us, finally, to the birth of the word "taichi" and what it meant in the mind that first conceived it. It first appears deep in the middle of Confucius's vast commentary on the Yi known as the "Ten Wings" where he attempts to explain the fundamental pattern of how the Yi works. He envisioned it as a singular point of transformation deep at the core of all phenomena and creation that is constantly polarizing, countering itself and compounding to generate the rich diversity of the world while at the same time also maintaining its balance and harmony. He theorized that by understanding better the process of how natural change occurs and develops, one would then be able to navigate more smoothly through the many fortunes and misfortunes of the world to more easily accomplish one's goals in life (aka one's destiny). Here is how he puts it in the "Sixth Wing" of his commentary:

There is an absolute polarity (taichi) in change
which generates two qualities (liangyi),
four expressions (sixiang)
and eight potentialities (bagua),
which then determine fortune and misfortune
and thus generate the great work of one's life.

Here now "taichi theory" is fully defined as the inherent mechanism within natural change that engenders the reciprocal dynamic of yin yang reality. And what's more, in following this yin yang reality through a threefold process of compounding complexity, there comes a kind of self-knowledge and surety about one's direction in life. You see in the old Chinese worldview, life is destiny and destiny is life. They are not separate concepts. One's existence is not a random thing that happens incidentally and is either taken advantage of or not. Each person and life is thought to play a distinct role in the process of creation that is mutually dependent on the rest of creation. Fulfilling one's destiny means living one's life to the fullest, for both oneself and all of one's relations. By this definition the practice of taichi then, whether as Taichi Chuan or any other discipline seeking to tap into the natural grace of balance and flow, is simply the expression of taichi theory, or in other words:

fulfilling one's destiny through alignment and transformation.

Thus to learn more about taichi theory is to study Daoism, Confucianism, East Asian Medicine or any of the traditional cultural arts of the Far East (such as the internal marital arts, fengshui, calligraphy, teaism, etc.). No matter the path, the process will necessarily involve three indispensable components: learning directly from an accomplished pracitioner, committing to a long process of dedicated practice and reading and re-reading certain classical texts. Knowledgable teachers are hard to find, correct practice is difficult to accomplish and the old books are not always so easy to comprehend. But if one sets one's heart upon the way with a requisite amount of patience, dedication and wonder, there are very few who don't arrive at understanding. This leaves us with our final lesson for today in this very preliminary foray into defining taichi theory:

the journey is the destination.

May all relations thrive in the bounty of the old balance. Opportunity is alive!

 

Primary Texts of Taichi Theory:

  • Yi Jing (Classic of Change)
  • Sunzi Bingfa (Sun Zi's Art of War)
  • Laozi Daode Jing (Old Master's Way of Virtue Classic)
  • Confucian Canon (Analects, Great Learning, Doctrine of
    the Mean, Mencius, History Classic, Book of Rites, etc.)
  • Zhuang Zi (Master Zhuang) by Zhang Zhou
  • Xunzi (Master Xun) by Xun Kuang
  • Huainan Zi (Masters of Huianan) by Liu An
  • Liezi (Master Lie) by Zhang Zhan
  • Huang Di Nei Jing (Yellow Emperor's Internal Classic)
  • Daoist Canon (Guanzi, Wenzi, Baopuzi, Taiping Jing,
    Huanghu Jing, Huangdi Yinfu Jing, Can Tong Qi, Wu
    Zhen Pian, Zhonghe Ji, Qingjing Jing, Taiyi Jinhua
    Zongzhi, etc.)
  • Taiji Jing (Taichi Classics) by Zhang Sanfeng, Wang
    Zongyue, Wu Yuxiang, etc.

 

 
 

Discourse on Theory and Practice in Tai Chi
from the "Yang Family's Forty Verses" in the Taichi Classics

Principle is the underlying substance of essence, energy, and spirit. Essence, energy, and spirit is the underlying substance of the body. The body is developed through the application of the mind. Power is developed through the application of the body. The mind and the body are both ultimately ruled by a singular principle. Essence, energy, and spirit are all ultimately ruled by sincere intentions.

Being authentic and sincere is the way of heaven. Becoming authentic and sincere is the way of humanity. Not even for a single moment should the thoughts be allowed to wander from this truth. It absolutely must be recognized that heaven and humanity both consist of the very same underlying principle.

Just as it is the energy of the sun and moon that fuels the fluid circulation of the natural world, so it is the energy of the intentions that fuels the fluid circulation of the essential spirit along the subtly concealed pathways of natural principle in the human body. Thus it can be said that from the martial comes the civil and from wisdom comes spirituality. From the perspective of the martial arts what is most important is the functioning of the mind and body and the development of power. This is primarily accomplished by continuously returning to the root of the dao and cannot be attained solely as the result of physical training.

Power comes from the tendons and strength comes from the bones. The kind of strength that enables the lifting and holding of heavy objects is generated through the external conditioning of the physical frame and is a firm and hard kind of strength. But there is another kind of strength that comes from keeping the underlying substance in tact and is generated from the essential energy of internal vigor. It is a kind of skill and does not express in the body as muscular mass and appears incapable of exerting even the slightest force. But once developed, this skill is capable of generating a firmness and hardness that spontaneously and randomly appears in the most marvelous of ways. It is only through the nurturing of the body and the cultivation of its underlying substance that such a dao can be attained.

 



The Tai Chi Symbol

 

assorted translations by Christopher Kiely
(in PDF format)


Tai Chi Map (Before and After the Sky)
Taichi Bagua (The Four Ounces)
Yin and Yang in the Yijing

Giving (Qian), Chapter 1 of the Yi Jing
Receiving (Kun), Chapter 2 of the Yi Jing

The Great Treatise of the Yi Jing
(Chapter 11-12 of the Fifth Wing)

Laozi's Daode Jing (Way of Virtue Classic), Chapters 1-20

Confucius's Great Learning
Confucius's Analects (excerpts)
Confucius's Doctrine of the Mean


Sunzi's Art of War (excerpts)

Zhuangzi, Chapter 1 (Free and Easy Wandering)
Zhuangzi, Chapter 7.5 (Master Hu and the Ninefold Abyss)
Zhuangzi, Chapter 30 (A Story of Swords)

Rugged Uncle's Longevity Method
(from Chapter 1 of the Huangdi Neijing)

Record of the Joining of Similars (Can Tong Qi), Chapter 1-3

Yang Family's Forty Verses (1-12)
Understanding in Taichi Chuan

 

 

 

Discourse on Civil and
Martial in Tai Chi

from the "Yang Family's Forty Verses"
of the Taichi Classics

“Civil” refers to the underlying substance. “Martial” refers to how this substance is applied. The civility underlying every martial application is nothing other than essence, energy and spirit. This is the underlying substance of the cultivation arts. The militancy that develops this civil substance is nothing other than the body and mind. This is the discipline of the martial arts.

When it comes to the “firing times” of internal alchemy, balancing the civil and martial means knowing the proper timing for reeling the breath in and letting it out. The timing must be just right for the elixir to form. This is the root of the cultivation arts. While in the context of facing an opponent, balancing the civil and martial means knowing when to store the power and when to release it. This is the foundation of the martial arts.

This is why the civil qualities of softness and gentleness are the underlying substance of training in the martial arts. It is the essence, energy and spirit that are the very muscle of internal power and enable the martial qualities of firmness and hardness to spontaneously manifest throughout the core strength of the body and mind.

Having civility without martial preparedness is like having the substance but without a means of employing it. Having militancy without civil accompaniment is like having the means for employing but with nothing to employ. A solitary pole is difficult to balance upright and a single hand cannot clap. This principle not only pertains to the work of nurturing the underlying substance of the martial arts. It pertains to all things.

Thus the civil is the internal principle and the martial is the external technique. External technique without civil principle will indeed empower a certain boldness of the qi and blood, yet whenever facing an opponent of dubious and deceptive means, this boldness will inevitably get one into trouble. On the other hand, civil principles without external techniques will indeed engender one to the school of peace and tranquility, yet not knowing how to respond to conflict will inevitably lead one to miscalculate one's position and inadvertently invite catastrophe. Thus in regard to the work of humankind how could these two words, civil and martial, not be carefully explained and considered?

 

 
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